Lou Clark knows lots of things. She knows how many footsteps there are between the bus stop and home. She knows she likes working in The Buttered Bun tea shop and she knows she might not love her boyfriend Patrick. What Lou doesn't know is she's about to lose her job or that knowing what's coming is what keeps her sane. Will Traynor knows his motorcycle accident took away his desire to live. He knows everything feels very small and rather joyless now and he knows exactly how he's going to put a stop to that. What Will doesn't know is that Lou is about to burst into his world in a riot of color. And neither of them knows they're going to change each other for all time.

During an operation of a Mexican Cartel, Machete Cortez and Sartana Rivera intercept the criminals alone, but another group arrives and a masked man kills Sartana. Machete is arrested, accused of killing his beloved Sartana and Sheriff Doakes hangs Machete. But the President of the USA Rathcock pardons and recruits Machete to kill the revolutionary Marcos Mendez that has threatened the USA with a missile with a bomb. Machete goes to San Antonio to meet the Miss San Antonio Blanca Vasquez that will be the liaison between Machete and President Rathcock. Then Machete goes to the brothel of Madame Desdemona to seek out the prostitute Cereza that is Mendez's mistress. Machete meets Mendez and learns that his heart is connected to the missile and only the arm dealer Luther Voz is capable to disarm the bomb. Now Machete needs to bring Mendez to the USA in less than twenty-four hours and save his new country in a dangerous journey with betrayals.

The highly skilled Federale Machete is hired by some unsavory types to assassinate a senator. But just as he's about to take the shot, he notices someone aiming at him and realizes he's been set up. He barely survives the sniper's bullet, and is soon out for revenge on his former employers, with the reluctant assistance of his brother Cheech Marin, who has become a priest and taken a vow of nonviolence. If you hire him to take out the bad guys, make sure the bad guys aren't you!

Jeff Cole is a recent graduate of the Cincinnati police academy who dreams of working undercover. His wish is granted and through success is given the task of taking down state-wide crack dealer Dwayne Gittens aka "God". Gittens is known as a family man and a man of the people, contributing to his community and helping those in need. However, there is another side to him, a ruthless leader of a criminal empire who will torture or kill anyone without question. Over time, Cole develops a close friendship with Gittens. Cole's superiors worry that the line between cop and bad guy is getting blurred and that both identities are becoming one. Cole's loyalties are put to the ultimate test just as there is enough evidence to take Gittens down for good.

Strange occurrences plague a small town detective and his family as he investigates the disappearance of a young boy.

Strange occurrences plague a small town detective and his family as he investigates the disappearance of a young boy.

Strange occurrences plague a small town detective and his family as he investigates the disappearance of a young boy.

Freelance covert operative Mallory Kane is hired out by her handler to various global entities to perform jobs which governments can't authorize and heads of state would rather not know about. After a mission to rescue a hostage in Barcelona, Mallory is quickly dispatched on another mission to Dublin. When the operation goes awry and Mallory finds she has been double crossed, she needs to use all of her skills, tricks and abilities to escape an international manhunt, make it back to the United States, protect her family, and exact revenge on those that have betrayed her.

Andrew Largeman is a semi-successful television actor who plays a intellectually disabled quarterback. His somewhat controlling and psychiatrist father has led Andrew ("Large") to believe that his mother's wheelchair bound life was his fault. Andrew decides to lay off the drugs that his father and his doctor made him believe that he needed, and began to see life for what it is. He began to feel the pain he had longed for, and began to have a genuine relationship with a girl who had some problems of her own.

1903 London. Renowned playwright J.M. Barrie (James)'s latest effort has garnered less than positive reviews, something he knew would be the case even before the play's mounting. This failure places pressure on James to write another play quickly as impresario Charles Frohman needs another to replace the failure to keep his theater viable. Out for a walk with his dog in part to let his creative juices flow, James stumbles upon the Llewelyn Davies family: recently widowed Sylvia Llewelyn Davies (the daughter of now deceased author George L. Du Maurier) and her four adolescent sons. James and the family members become friends, largely based on he and the boys being able to foster in each other the imagination of children, James just being the biggest among them in this regard. Sylvia also welcomes James into their lives, he who becomes an important and integral part of it. Among the six of them, the only one who does not want to partake is Sylvia's third, Peter Llewelyn Davies, who is still grieving the reality of their lives, where his father was there one day planning an outing for the family, and gone the next. Two other people who don't appreciate James in the Llewelyn Davies' lives are: his wife, Mary Barrie, who always feels the need to be the responsible one in their relationship and who feels threatened by his friendship with an unmarried woman; and Emma du Maurier, Sylvia's overbearing mother, who sees him as an obstacle to Sylvia moving on with her life with another potential husband, and an impediment to maintaining discipline within the boys. James still hopes to bring Peter out of his self-imposed shell, but in the process comes up with an idea for another play based on an amalgam of himself and Peter, that play which eventually becomes what Charles sees as a largely unmountable and thus doomed production called "Peter Pan". This process of helping Peter could take a step backward when it looks like Sylvia may imminently befall a similar fate to that of her late husband.